EN > A Critical Anthology > Endless sensation
Endless sensation
by Francesco Gallo
Abstract painting is an endless sensation, something that encloses upon us and upsets us in its full chromatism. Everything is entrusted to the significant feature of gesture to the skill to make imagination true. It's really painting, free from outside, influence from every natural mimicry.
Form that contains itself in the tangible deep structure, Luigi Malice's painting has a spontaneity and a culture, able to transmigrate from the world to art, from things to essence. It symbolizes a chess-board, with vague outlines, suffused with afternoon lights, as they were notes of a dionysian festival, reports of an ecstasy that hasn't consumed yet and will never come to an end.
From one painting to another the scene becomes complicated, changes its countenance, syllabizes, beats out, as it obeys an inner impetus, a supreme law of expression. All this highest transport of mind, comes from restless expressionism having no peace.
All this, but its opposite too, the game of difficult balances, pieces that get lost in the chaos of sight, of light, over shadow. The painter can't but give free play to his imagination, let fancy take part to Art Symposium without Ganymed, he lingers before the treshold of time and watches the upsets of human heart.